SOLD OUT!
Drawn and Built-Up Minuscule - Study of Works by Hermann Kilian
Presenter: Yukimi Annand
Sponsored by San Diego SfC
Saturdays & Sundays: September 8, 14, 15 9.30am-12.30pm PDT
$100 MEMBERS ONLY
Due to the way our computer system works, registrations not immediately followed with payment will be cancelled. Also we cannot accept registrations after noon on Friday, September 6, 2024.
Workshop Description:
Hermann Kilian (1929 – 2004) was a German calligrapher, typographer and book designer whose work was epitomized by classical simplicity with an underlying tension within every letter. I have been studying his works and sharing my study of his built-up Capitals during the last five years, and I have never gotten tired of it. This time, I will share my study of his minuscules that has been lifting my calligraphy study.
This workshop starts from understanding traditional monoline minuscule - the Foundational hand Italic hand and English Round hand - that deeply relate to Kilian’s minuscule forms. Then we will analyze several of Kilian's unique minuscule forms, and his characteristic weaving layout and composition. We will trace some of his works and draw several alphabets’ with pencils, ruling pens, pointed pens, small edged nibs and our chosen tools. We will work on two or three design projects with his minuscules that suit your chosen text.
Once we have learned his forms, his way of design and layout, they will add vitality to our works with plenty of possibilities.
The workshop will be recorded and available for two months.
Recommended Experience: Some experience of calligraphy and lettering.
About Yukimi:
Yukimi Annand is a Japanese born calligrapher, living in California. Raised on a flower farm in rural Japan she developed a great appreciation of nature. Studies in visual communication design in Tokyo led to work in the graphic design field, mostly in corporate design. Yukimi was director of Takenobu Igarashi, a highly regarded design studio, before moving to the USA in the 1990s.
Introduced to Western calligraphy in 2000, Yukimi discovered a great passion for it that has remained with her to this day. Her work is diverse, covering every conceivable aspect of the craft. She is a skilled practitioner in all manner of scripts and her experience in the field of graphic design brings a wonderful aesthetic to her work. Equally skilled in book design and creation, Yukimi’s experimental work is often presented in this tactile form. For more than a decade Yukimi has taught in person and online around the world. Yukimi’s work has frequently been shown in Letter Arts Review as well as other calligraphic journals and books, and is held in many international art collections.
REGISTRATION:
You must be a member both when you register and when the class is held.
Pay by check or PayPal. No refunds.
Cost: $100, paid by check or Paypal (see details below)
A COMPLETED REGISTRATION REQUIRES 2 STEPS:
1. FIRST REGISTER.
2. Second, Make a payment of $100 via PayPal or check.
Once you have registered, you will be sent a confirmation email with the PayPal button to complete your registration. Please pay within 24 hours to keep your spot or your registration will be cancelled.
To pay by check email Kristi, for instructions, at SDWorkshopsTeam@societyforcalligraphy.org
Include your current name, address, phone number, and email with the check (s) in the envelope.
If you are paying by check please send us the check number right away and make sure the check reaches us within a week.
To join SfC if you are not a member (this is a members only workshop):
https://societyforcalligraphy.org/Join-SfC
Please select the San Diego Chapter on your membership form to receive early notifications of our upcoming workshops.
Enrollment is limited to current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list. For prompt receipt of supply list and confirmation, your payment should arrive no later than two weeks before the workshop. Supply list will be provided within the week following receipt of your registration.
Questions? Contact Nan Anantharaman & Kristi Darwick at SDWorkshopsTeam@societyforcalligraphy.org
Sponsored by
Sundays, October 13, 20, 27, 1-5pm, and Critique/Review session, Wednesday, Nov 13, 6pm-7pm Pacific time
ABOUT THE WORKSHOP: Good design, says artist Irene Au, is like a refrigerator—when it works no one notices, but when it doesn’t, it stinks. This workshop is designed to help artists of all skill levels who use letters and letterforms better understand composition and the elements and principles of design. You will come away with a better understanding of design essentials and some layout tips of special interest to lettering artists. The workshop will include many handouts, demos, and exercises to build your design skills. The three-session course will also include a review of work a couple weeks following the instruction to give you time to complete work. Details to Follow
ABOUT MIKE: Mike Gold worked as a commercial lettering designer for over 35 years, mostly in the social expressions business. But his real passion is exploring the corridors of calligraphy that have been less traveled, the path where words and letters are design elements with which to play with line, shape and form, where creating a visual statement is more important than writing a readable text. In both his professional and personal art, Mike breaks traditional rules to create contemporary, non-traditional work.
Mike has an M.A. in Visual Communications and has studied with many outstanding lettering and design masters over the years. Mike has taught around the country and at several international calligraphy conferences. His personal work has been featured in Letter Arts Review many times over the past 25-plus years. He has been a juror for the Letter Arts Review annual and his work is in many private collections, including the Berlin Calligraphy Archive. He is the author of Lines to Live By (available through John Neal, Bookseller), which is Mike's take on being a non-traditional calligrapher in the 21st century.
EXPERIENCE: Beginner to Advanced (Some lettering experience is helpful) All levels
Workshop will be recorded and available for four months.
Zoom invitation will be sent a couple days in advance.
No refunds.
Cost: $150, paid by check or Paypal (see details below).
To pay by check email Nan or Kristi, for mailing instructions, at SDWorkshopsTeam@societyforcalligraphy.org . If you are paying by check, it should be made out to Society for Calligraphy. Please send us the check number right away and make sure the check reaches us within a week. Include your current name, address, phone number, and email with the check (s) in the envelope.
MEMBERS ONLY
You must be a member of SfC when you register and when this program is held*.
Enrollment is limited to current paid Society for Calligraphy members only.
No reservation will be held until your dues are current.
Please select the San Diego Chapter on your membership form to receive early notifications of our upcoming Inland Empire workshops.
For prompt receipt of supply list and confirmation, your check should arrive no later than two weeks before the workshop. You are not registered until confirmed by the workshop coordinator.
NO audio or video recording of any program, meeting, workshop or other SfC function permitted consent of both guest artist and a representative of the Board of Governors. *** You must ask permission of the artist/instructor to photograph any copyrighted materials, including demos.
Presenter: Veronica Phillips
Saturday & Sunday, November 9-10, 2024, 9:30-4:30pm California Center for the Arts, Escondido - IN-PERSON
$120 MEMBERS ONLY
ABOUT THE WORKSHOP: Join us for a journey into creativity, introspection, hand lettering and play. We will start with two full sheets of Arches Text Wove and will create spaces and areas to design our own unique art.
To begin, we will review and warm up with Casual Romans and variations. Playing with variations of our own handwriting and favorite calligraphic hands will be explored.
Prompts will be offered to provide some introspection and contemplation. We will also use poetry, quotes and your own personal journaling. We will continue with a variety of art techniques, color play, and design. Collage, mask making, rubber stamps, small gel plate, watercolors, stencils, washi tape, masking and more will be techniques for our class.
The final step on this journey will be bookbinding. We will tear down our colorful sheets and sew the books with a unique binding technique.
This is a fast paced, fun and playful class. It will be a doorway for you to continue in your book at anytime in your art practice. Beginners and experts alike are welcome.
The supply list will be sent immediately and again a month in advance. Directions and other logistical information will be also be sent a month in advance. Handouts will be provided at the workshop.
ABOUT VERONICA: I began my Calligraphy journey in the late 80's. I was fortunate to study with Reggie Ezell year long class program and then three semesters with Tim Botts. My true love has always been Roman Letters. Studying with Peter Thornton has given me the discipline and creative permission to explore this art form for many years. In addition to Calligraphy, I do enjoy bookbinding and all sorts of mixed media play. I am now retired and able to enjoy the time and freedom it offers. I live in the Arizona desert and am a member of The Calligraphic Society of Arizona.
Another Example: Unbound page spreads from our friend Joyce in Gilbert, AZ:
Enrollment is for current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. No reservation will be held until your dues are current. If your membership lapses, you become ineligible. (To become a member: https://societyforcalligraphy.org/Join-SfC) No refunds unless your space can be filled from the waitlist. For confirmation and prompt receipt of supply list, we recommend that your payment arrive no later than two weeks before the workshop. You do not have a spot in the workshop until you are notified by the coordinator.
Upon registration, an automatic email will be sent with a PayPal button, and instructions should you prefer to pay by check. If you don't receive that email within a few minutes, please check your spam folder. If you don't find it there, please contact Kristi.
Questions? E-mail Kristi Darwick at SDWorkshops@societyforcalligraphy.org
NO audio or video recording of any program, meeting, workshop or other SfC function permitted without prior consent of both guest artist and a representative of the Board of Governors. ** You must ask permission of the artist/ instructor to photograph any copyrighted materials, including demos.
REGISTRATION CLOSED!
Copperplate - A Systematic Approach with Jodi Denning
Saturdays: January 11 & February 8,2025 at 9:00 AM to 2:10 PM (Pacific Time)
Review on March 8, 2025 at 9:00 AM to 10.30AM (Pacific Time)
$25 MEMBERS ONLY
Due to the way our computer system works, registrations not immediately followed with payment will be cancelled. Also we cannot accept registrations after noon on Thursday, January 9, 2025.
About the Workshop:
Copperplate Minuscules – A Systematic Approach
This class will help students develop a foundation in the fundamentals of the Copperplate style of pointed pen script. The class will begin with a brief introduction to using a pointed pen, and a time for questions for students unfamiliar with the pointed pen. Participants will learn the structure of the basic strokes for the minuscules of this beautiful script, and then use those basic strokes to form the various related groups of minuscule letters. Detailed practice worksheets will be provided in PDF format.
Copperplate Majuscules – A Systematic Approach
This class is a continuation of the Copperplate Minuscules class, exploring the basic strokes and structure of the majuscules of the script. Basic familiarity with pointed pen and with the Copperplate minuscule alphabet is required before taking this class. Detailed practice worksheets will be provided in PDF format.
Recommended Experience: Beginners to advanced
About Jodi:
With no artistic background, Jodi jumped into calligraphy in late 2016 with a serious desire to learn pointed pen calligraphy, and no clue as to how to get started. After unsuccessfully trying to find local classes or resources, she began navigating the many challenges of learning calligraphy on her own. A couple years later she pursued “correspondence course” instruction from calligrapher Bill Kemp. As online courses began to be available, she continued to study, learn, and develop her traditional Copperplate/Engrosser’s Script style calligraphy.
Jodi’s professional career in software engineering gave her a natural orientation toward detail. Her lifelong passion for training horses and teaching riding skills gave her an understanding of how to break complex skills down into “bite-sized” pieces for a less intimidating learning experience, as well as a focus on self-assessment as a tool to develop increased skill refinement which she now brings to her calligraphy instruction.
Cost: $25, paid by check or Paypal (see details below)
2. Second, Make a payment of $25 via PayPal or check.
Enrollment is limited to current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list.
For prompt receipt of supply list and confirmation, your payment should arrive no later than two weeks before the workshop. Supply list will be provided within the week following receipt of your registration.
Visigothic Versals
6 week. Sessions during March-April
Dates/times/details to be announced and are subject to change.
Sponsored by the San Diego chapter
